Tag Archives: writing

Charlie Kaufman’s “What I Have To Offer”


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Punctuation botanica: thoughts on interrobangs and fresh tattoos

I’ve been mildly obsessed with punctuation since college. Learning about what to use, and when, took time (and I still go to the guides when a heated debate of dash use erupts at the office…).  How often–as with most forms of professional communication at least–less is so much more. For beginning writers, use of punctuation can be the textual equivalent to a child getting into Mommy’s makeup. But creative work? Go freaking bananas– in fact I love when I see writers and poets do cool things with astrisks and em dashes and ellipses.

Here’s my favorite scene involving the discussion of the “dot dot dot”, from one of my all-time favorite movies.

I could go on right now, about how punctuation is either a visual cue for the eye or a timing mechanism for the brain, but frankly that sounds pretty boring and not really what I wanted to talk about.  Fluidity, syntax, style… got it? Moving on.

I want to talk about tattoos.

I’ve been researching my most favorite punctuation for my next ink session and came across a super cool article on rarely-used marks.

This article has a few especially cool ones… which had me saying “interrobang” repeatedly just because it’s fun to say. Naturally I had to learn more so I went to my most favorite dubious source of information, and found a fine list of punctuation and usage.

My favorites so far:

The irony mark

The astrisk… although it seems a bit fashionable at the moment.

The one I really think is cool is the hedera… Latin for “ivy”.  It’s pretty and rarely seen today. Back when people actually wrote Latin, the hedera was used to block off large sections of text or long paragraphs. I studied Latin in college, but personally never came across this mark.

It’s pretty, timeless, less pedantic, and less obvious than the irony or other admittedly cool marks. There are lots of different variations too, from clean to frilly. I want one.

Now the question is… where does it go?

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Filed under The English Department, Writers on Writing

Weeping Genius: Poems I Love

I’m in perpetual awe of poetry. It’s a form of writing I’ve always been pretty dreadful at. I tend to prefer long, meandering confessional-type writing, with lots of run-ons and subordination, and poetry usually doesn’t have the patience for that sort of thing. It’s economical. It’s distilled. It catches thin, corner-of-the-eye moments you might otherwise overlook if you’re in a hurry on a busy day. But if you slow down a moment, look up and see what’s around you… you see them everywhere.

The trick is getting them down the way you see them.

Here are a few poems, poets, or books of poems I re-read regularly… especially during frigid-wet weather like we’re experiencing now in San Francisco.

Robert Hass, Sun Under Wood
The verse in Sun Under Wood is both crisp and lilting. My pick: “Shame: An Aria”

I had the immense pleasure of taking Professor Hass’ American Poetry class when I was at Berkeley. He was the U.S. Poet Laureate back in the 90’s, and has since won a Pulitzer for his 2008 book, Time and Materials. A gentle, vividly-smart man, he was the only professor that signed autographs before class. He’s also the man who encouraged me to write a book about Poe.

Speaking of Poe…

I’m far more interested in the literary historicism of Poe’s life and the lives of those surrounding his, but truth told, Poe was a fine poet. “A Dream Within a Dream” was first published in 1849, the year of his death, and asks the question of what is real in this life. I suspect for Poe, the confusion between lush dream states and arid realities was real, and he manages to capture his query in the prettiest of ways.

A Dream Within a Dream

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow-
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand-
How few! yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

Speaking of dreams… (obvious and bad segue way… sorry)

Pablo Neruda destroys me. He destroys anyone in his path. He’s the undisputed master of love poems. I was sent this poem back in 2004 by a man I was dating. I ended up marrying him. The marriage didn’t work out, but like this poem, the most romantic moments in life are often shorter than we expect.

The Queen

I have named you queen.
There are taller than you, taller.
There are purer than you, purer.
There are lovelier than you, lovelier.
But you are the queen.

When you go through the streets
No one recognizes you.
No one sees your crystal crown, no one looks
At the carpet of red gold
That you tread as you pass,
The nonexistent carpet.

And when you appear
All the rivers sound
In my body, bells
Shake the sky,
And a hymn fills the world.

Only you and I,
Only you and I, my love,
Listen to me.

There are so many more, but I’ll save them for another time. Read a poem you love today.

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Sunday Funnies

Once of the many reasons I adore nineteenth-century print culture is the bone-dry humor often found in advertisements and announcements. And some clips just remind me how so little has changed. Here are a few recent finds…

The era of social media did not invent OMGing…

Source: The Atchison Globe, April 26, 1878.

Wry criticism at its finest…

June 6th, 1881

And lastly, little Clarence dreams big:

May 31st, 1879

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Here’s Me

Sarah Fisher, zen film maker and all-around cool woman (bluelotusfilms.net), shot this little hello for me a while back. I met Sarah through Coffee & Power and we hit it off right away. I’ve pimped C&P for a while because it’s just a great idea: buy and sell small jobs from local folks and engage in your community in a new way. Promoting your small business through this space is a great concept that is proving successful, but another great thing about C&P is that you get to meet interesting, creative people.

Popper Creative from Sarah Fisher on Vimeo.

Anyway, so here’s a bit about me beyond two dimensions. Don’t look at the messy apartment.

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Punctuation… A Tragic Love Story

Oh Punctuation, how you baffle us! Your vexing ways make us say the silliest things. Sometimes coy, often confusing… you leave us sitting in from of our monitors with knitted brows, wondering what in the hell we did wrong.

Unpopular Punctuation: The Marks You Probably Avoid

Now in creative work, anything goes. Poems, short fiction… do what you like. This poem by J.P. Dancing Bear uses colons in an especially cool way. Punctuation is usually about timing… about when a reader receives an idea. “Not Persephone” uses colons to parse out moments of thought, but show how they all pull out from the first line. The effect is pretty and rather brilliant.

But in business writing the enterprise requires more thought. Proper and consistent use of punctuation affords strong, crisp writing. So for those of us who are not poets: Lisa Kusko has a super-popular blog for business writing. Her tips apply to just about anyone trying to hone their craft, or simply not sound ridiculous. Knowing what to use where and when helps, so check it out!

Unpopular Punctuation: The Marks You Probably Avoid.

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top five cliches that drive me insane

Overused expressions make me feral-cat crazy. They represent muddled, default thinking, and really don’t say anything important. When I read a cliche, my attention span automatically shuts down on that writer. If she doesn’t care enough to write something in an specific, clear, or original way, why should I care about the message? Perhaps at one time these phrases meant something, but in the interest of inspired communication, I hereby request that these blurbs be strip mined from the English-speaking world, stuffed into a biohazard barrel, and buried somewhere out in the Nevada desert.

1) “nip it in the bud”

I don’t like the word nip…  who nips? Unless you’re a 19th century dandy boy holding a brandy snifter this phrase should be prohibited.

2) “on the same page”

As Twitter artist Kelly Oxford points out, you never want to be on the same page as someone who says “we’re on the same page.” Over-assuming and annoying.

3) “fell through the cracks”

Screams either lack of accountability or a laziness to describe what actually happened. Why not just shrug and stare at the floor instead?

4) “spinning your wheels”

Tired, and for some reason reminds me of the Flintstones. 

5) “pushing the envelope”

I never understood this one so I looked it up. Turns out it has nothing to do with stationery, but is a math allusion. Math! How many times have you heard this and knew, albeit vaguely, what the person meant, even though the expression itself made no sense to you?

Dammit. Math has no place in writing. Everyone knows that…


Filed under The English Department, Writers on Writing